What can I say? I’m a sucker for it. The less I know about a band the more I find myself drawn them. Bands like Ghost and especially Deathspell Omega have managed to build reputations, and more importantly, loyal fan bases despite the fact we know almost nothing about them, relying instead on the calibre of the material being released.
The Finnish black metal entity Behexen is again to hit the show with their awaited 5th full length ‘The Poisonous Path‘, which is on the queue to be released on May 27th 2016. Being an avid Behexen fan, I am really contented with the materials the band has composed for this ominous recording. Finnish black metal is never easy to Continue reading Review: Behexen – The Poisonous Path→
Gloam is a black/doom quartet from California, USA. The band has been around for not more than 6 years and let me assure you, Gloam can be considered as one of the promising bands to emerge from that area. As for typical USBM, the immediate impression would be Continue reading Review & Streaming: Gloam – Hex of Nine Heads→
In order for a split to work and be cohesive, the bands that are featured on said split need to be cut from the same cloth. It only makes sense for bands with like interests be featured on splits. With that being said, the two bands featured here are both raw and intense black metal and have a very Continue reading Review: Aosoth / Order of Orias Split→
Serpent Noir started off pretty high with their chaotic black metal sound on their debut full-length ‘Seeing through the Shadow Consciousness (Open up the Shells)’ which was released back in 2012. Their debut album represented an orthodox sound with lyrical concepts based on occultism; which a lot of bands are doing nowadays. What makes Serpent Noir special is their sense of transforming music into an art, their recently released second full-length ‘Erotomysticism’ is off no difference to this statement. Continue reading Review+Streaming: Serpent Noir – Erotomysticism→
Today we have a new chapter to bring forward which is related to the French black metal dimension. A while ago we published an interview with Amduscias, the frontman of Temple of Baal, but now we are delighted to share with you the dark words of Mkm of Aosothand legendary Antaeus, basically two radical bands for the period unfolded after the year 2000. You will read here about the status of Antaeus, a satanic group that apotheosized aggression on each possible level through the medium of albums like De Principii Evangelikum or the great Blood Libels. Otherwise, Aosoth is a fierce brute which continues to spread catacomb sounds and blasphemy. Below is our gloomy talk with the vocalist of these two bands. Continue reading Temple of words: an interview with MkM (Aosoth, Antaeus)→
The German black metal outfit, Ascension is not a stranger to the listeners who prefer the enchanting, mystic and diabolical power of occult leaning black metal. Latest prodigious album, “The Dead of the World” has been received with open arms by the listeners. Considering the both sonority and concept, the album is just marvelous, and the band has been crafting such kind of marvelous music since the inception, when they released the demo,“With Burning Tongues” Ascension is currently touring with Bölzer, Dysangelium and Vassafor at “Under Four Wings of Death” tour. We have conducted the following interview with the band, focusing on the recent full length, tour, ideology, some occult and spiritual aspects, and many more.
Salutation! Ascension is coming up with some unholy offerings that include the new full length, The Dead of the World (after the Deathless Light EP) and Under Four Wings of Death tour. So, it can be expected that the band is hard at work on these ventures.
Ascension: Hails! The making of The Dead of the World was a truly soul draining experience for all of us. Right now we are preparing for the upcoming tour, to channel that what is Ascension into a club show. We never considered it to be enough to only play our songs; we want to create an intoxicating experience for us and the audience.
Is the new release also a conceptual album like the debut full length? Can you briefly inform us about the overall lyrical theme of the album? I assume that the lyrical theme has probably a close tie with the death or ending part of human life.
—The new album is by intent not conceptual. It deals with death, yes, but not only physical death. There are many different layers and meanings. The record is an invocation of the gods of death, of gods slain by men and gods that left the world to die. A song to those, who live in the dark corners, and who are literally dead to this world and a lullaby to the perished.
The opening track of the album is named “The Silence of Abel”. Is it related to the incident of the death of Abel? So, do you consider Abel as the first human being to taste the tranquility of death and Cain as the first assassin?
—I do not consider that because this would imply that I believe that the story of Cain and Abel is true in its literal sense. The Silence of Abel deals with this subject although it´s more focused on the murder than the murderer, as well as its universal, spiritual impact. It´s about where we come from and what we are. It is about our predisposition to commit sin and its necessity. The chalice is broken and we won´t achieve completion by putting the pieces back together.
Tell us about the artwork of the album that has been designed by David Glomba (Teitan Arts). How does it transmit the music?
—David´s art on this album is incredible. We provided him not too much guidance so it´s actually his interpretation of our music. His paintings definitely speak to us and we find the essence of our music within it. He added another dimension to that what is The Dead of the World in our eyes.
Ascension is using a new logo. Who is the artist of the logo? Is there any specific reason to change the logo? The sigil that has been inserted in the logo obviously has a definite meaning.
—The sigil is done by one of the few people that stand very close to Ascension. It´s not meant to replace our actual logo. Its purpose is to amplify the spiritual aspect of the band. We consider Ascension to be an entity that has huge impact on our personal lives. In return, every band member’s path influences Ascension. This sigil is something for us to carry in our hearts. Therefore it would be inappropriate to reveal its meaning.
You are an acolyte of Lucifer! Some consider Lucifer as Devil, some as Antichrist, some as the Bringer of Light, or just as other kind of symbol. The word Lucifer is coined differently in several sources. So what do you perceive by “Lucifer”?
—Rock Music is the music of the devil. So only by going down this path we carry him in our hearts. There are many shapes and faces people paint of Lucifer. And none of them are true, simply because the principle of the devil is not about the truth, or more precisely, about one truth, it´s about something far beyond that.
Do you regard your music as “Orthodox Black Metal”? How would you coin the term Orthodox Black Metal and how is it dissimilar to other offshoots of black metal?
—To be honest I do not like that term too much, the word “orthodox” implies to me something that is “streamlined” or “righteous”, and I hope that Ascension can embody pretty much the opposite of that. But I get it; the metal scene needs categories, definitions and sub-genres. If orthodox black metal is supposed to refer to bands, that are serious about carrying spiritual or religious impact in their music, then it fits Ascension´s intentions.
Do all of the members of Ascension coven believe and walk in the same path when it comes to spiritual ideology? Is it essential for all the members of a band to engage themselves body and soul in the same path of spirituality that is being conveyed through the music?
— It is not important that every band member walks the same spiritual path but it is important that everyone in the band walks some spiritual path. Like I mentioned above, it´s some sort of interaction. Every band member´s path influences what is Ascension and Ascension influences our path´s simultaneously.
Concerning the members of the band, all of them are anonymous.There was a time when Ascension did not use to participate in the live gigs and even if they did it was on occasional basis. But now the band has announced a tour and also do partake in other gigs including some prominent festivals. Do you think that partaking in a lot of live gigs may reveal the identity of the members? And if you think so, then do you consider it as negative or threatening?
—It is not for me to tell if that would be negative, yet it´s for sure not threatening. It would be not too hard to find out our identities these days. I believe the reason why it did not happen so far is, that people yearn for something obscure in this completely demystified world. You can easily stalk every artist online; you can know him within a few clicks better than you know your own neighbor. So I think anything mysterious is a precious good these days. One of the main reasons why we decided to bear no names in Ascension is that all band members are supposed to represent the entity that is Ascension. We wanna humbly step back behind the artwork and let it speak through us.
Regarding the Under Four Wings of Death tour featuring Ascension, Bölzer, Dysangelium and Vassafor – the lineup looks really lethal. So what has made you come to a decision to finally go for a tour? Is it because you really enjoy the music of these bands or because of having ideological similarity with these/any of these bands?
— We never excluded the possibility that we´d go on tour one day. We just waited for the moment one which it felt right. Just as we never excluded to play live from the beginning, but started with it not until “Consolamentum” was released. As we got the offer, the time was clearly right. I consider especially Bölzer´s music as extremely unique.
The Magus (Necromantia, Thou Art Lord, Principality of Hell) and Mors Dalos Ra (Necros Christos) were both guest vocals on this album. Is there any probability of featuring them in Under Four Wings of Death tour or in any of the upcoming gigs/tours?
—There are vague plans and clear wishes.
Garden of Stone, undoubtedly a marvelous number that is included in the Deathless Light EP. Can you enlighten us about the concept of this track? Does it have any relation with the concept of The Dead of the World?
— It´s for many reasons a very special track for me and it´s strongly connected to the rest of the album. It deals with doom and isolation, abandonment and rage. In more than one way, through the eyes of a spiritual patroness that dwells within us.
The monumental debut full length, “Consolamentum” conveys the five parts of the transformation of a human soul – learning to breath, learning to lie, learning to live, learning to kill, and learning to die. So, does every human being stride across the fourth part – the process of learning to kill? Will you please elaborate about these steps of transformation?
— Every human being bears the potential to kill. And the majority is using that potential sooner or later and in one way or the other. There is a reason why kids start at some point to kill insects or small animals. There is an ecstasy to it. As we grow older most of us express our joy to kill in subtle, socially more appropriate ways. It is all ritualistic in the recollection of primordial intoxication. The only thing that stops us from slitting each other’s throats is social guidelines, which force us to kill in more non-physical ways. If you read the lyrics of the track “Amok” you´ll precisely know what I´m talking about.
I don´t want to elaborate the concept too much. It would take away the readers’ possibility reflect within our lyrics and to let them speak. The concept is not about a particular thing, it is the actual thing.
We have come to the edge of our conversation. Thank you for answering the questions. Any ending message you would like to give to the audiences of Ascension?
— Thanks for your time. The Dead walk among us with hatred. Hail Luzifer!
N.B.: The actual interview questionnaire was sent to the band even before the release of the latest full length. Some of the mentioned dates and contents may be looked as inappropriate due to the time involved in publishing interviews. We apologize for the inconvenience.