A few bands exist to remain in the deepest and the darkest chamber of the subsurface despite having superior quality music; some listeners might rue for not discovering their materials earlier (while tracking down the music of those bands). Typical case in black metal and other forms of extreme music, isn’t it? Still and all, these bands keep igniting the naked flame of their candle by crafting odious forms of arts. Well, DIABOLUS AMATOR can be placed under a category along with those bands. Luciferic Triumph Records has just released their second full length, “Despotic Conjuring Of The Soulless” that consists of eleven cold-blooded tracks along with a cover of Inquisition number.
Some black metal bands have established a common lineage between dark lyrics and poetry. Aesthetic lyrics of Dissection, Lord Belial, Emperor or Dead Era Mayhem are some illustrations that surely back up my previous claim. Lörd Matzigkeitus has inscribed some odious belles-lettres for the lyrical purpose of his band Idolatry, that surely contain the literary elegance. Lörd Matzigkeitus has taken his endeavor to next level by setting out the initiative of “Catharsis Spoke her Virtuous Evil”, an incendiary black metal poetry book on death, despair, Satan, agony and raw kinky bondage sex. Meanwhile, Lörd Matzigkeitus is coming up with two other black metal projects as well. The following conversation with him focuses on different aspects related to Idolatry, his poetry, upcoming black metal projects, personal beliefs, and some other captivating issues.
Irreligious black/death terror of Singahell, Infernal Execrator‘s six years anniversary compilation, “Mastema Hedonistic Territorial 666” has been re-issued by Death to Peace Productions from Canada. Only 100 copies of Pro Tapes (Product Code: DTPP001) have been re-issued and the first 33 copies come with a button.
1 Thy Demonization Conquers-2
2 Unholy Flame Of Odium
3 Pure Genocidal Apocalypse
4 Massacre Of the Evangelist
5 Antichrist Execration
6 Mastema Hedonistic Terroritual 666
7 Sodomythical Frostgoat
8 Final Blasphemy (ultimate Irreverent)
9 Armageddon Bestial Battle Live Desecration
10 True Anti-Religious Elite
11 Armageddon Bestial Battle
12 Diabolos Execratus Exescari
13 Conglomeration Goatcult Profanextermination
“2 new tracks taken from their 7″, live ritual track in Godbeheading ritual 2009 and raw rehearsals tracks!”
Listen to Infernal Execrator- True Anti Religious Elites:
For info and order,contact the label by email:
Death to Peace Prod Facebook: https://www.facebook.com/DeathToPeaceProds
Infernal Execrator Facebook:
Interview with Ashir of Infernal Execrator:
Review – Infernal Execrator – Ad Infinitum Satanic Adherent:
It is doom and thrashy in the same time and eventually hits the black/death torment that partially describes the Canadians of Begrime Exemious. This is how their latest EP goes. Primeval Satellite was released this year’s late summer but it was recorded two years ago. And I must admit that the entire material reveals a feeling of something kept in a cave for a while. It has a kind of aggressiveness which seems that it might have been very well calculated, but I think it is all just natural because this is how old school death metal tends to sound like. Everything is slow and rough because there is no need to hurry while destroying something, you must enjoy it first.
Things have changed a bit since their first full length, Impending Funeral of Man in terms of intensity. Yet their composition is based on a few contradictory details, but I think that this is part of their sense. Otherwise, the rhythm’s balance and the guitar tones are way better than what we could here on Visions of the Scourge. That is why Begrime Exemious deals with a constant evolution. Now their rawness is high-pitched and the melodic character is concentrated in beautiful solos and I will mention here the first song from this EP, Entrails & Barbed Wire and the fifth one, Bloodworms. It seems that the most serious track is Silent Observer Older Than Earth concerning musicality, being nothing more than a gloomy doom piece transformed in an easy-going declaration of death and horror. The levels of Primeval Satellite are pretty divers and so, the next song, Wolf Hound Bitch revolves around a nice groove emphasized by simple blasts.
The vocals and many riffs remind me of the Necrophagia vibe, especially that one from Cannibal Holocaust. Anyways, there are many parts that can be familiar for anyone who is into extreme metal, but the blending makes the element of surprise. Comparing with the peers of the Canadian black-death realm, Begrime Exemious succeeds to be quite natural, having all this range of influences disclosed in an interesting manner, a fact which makes them so alive.
The song that marks the end of this material it is a cover for the Nuclear War of Nuclear Assault and I find this admirable. It is such a good song that you can never refuse to go and listen to it once again, being in the know that is the same old killer thing with a new sound.
In view of these facts, I’m looking forward for a new full length from Begrime Exemious because it seems that this time they got something which is less ambiguous and so it became powerful. Also, a more devastating sound would be a better feature for their musical attack.”
By: Gina S.
Stream the entire album on Bandcamp:
Released on: August 18, 2014
Label: Dark Descent Records
D. Orthner – Lead/Rhythm Guitar, Backing Vocals
T. McClelland – Bass
L. Norland – Drums
F. Thibaudeau – Rhythm Guitar
B. Leland – Vocals
B. Symic – Additional Vocals