I am personally not an adherent of the war metal bands of this era, probably because almost all of them are just repeating the activities of their predecessors. War metal is a less creative genre without any doubt, but Singahell’s war metal horde Nechbeyth has showcased the supremacy to create some barbaric materials that are way superior to the materials of most of their contemporaries. Their latest annihilation “Coerce Creed” released through Iron Bonehead Productions has enchanted my pair of ears.
Bestial annihilation of the album initiated with an intro and instrumental track KMST Oath. Following three chapters of the annihilation, “Ruination Conquest”, “Eradication Vertex” and “Coerce Axiom” reflect the influences of Canadian bestial black/death metallers such as Conqueror, Revenge and Axis of Advance. Meanwhile influences also derived here from Inquisition, Katharsis and even from the Scandinavian orthodox black metal sounds. Past releases of the war trio were strongly influenced from the materials of Conqueror and Revenge, whereas in this release variety of influence can be observed. Combination of bone chilling screeches along with wicked drum hammering is remarkable in “Coerce Axiom”. Ending obliteration, “Lynch Directive” would be regarded as the most interesting offering from the extended play due to its iniquitous riffing and the overall spiteful composition. It just demonstrates the abilities of this Singaporean ensemble to create sensational black/death composition. Outro illustrates the consequence after the sonic rampages caused in the antecedent tracks.
Vocal Zavael perfectly encapsulates the elements of both black and death metal with total aggression. His demonic voice causes a frightening atmosphere of war and violence. Smashing blast beats of the drumming would surely cause an aural damage to the listeners. Even though a session drummer handled the apocalyptic drum slaughtering, question should not be existed to identify the marvelous drumming deliveries. Aside the chaotic riffs, impending chord progression is audible from guitar works. Bass sound cannot be discerned discretely. Production wise the album is way perspicuous (considering this sub-genre).
“Coerce Creed” is a step up from the previous releases of the band. Recommended for the fans of both war metal and old school black metal.
1. Intro + KMST Oath
2. Ruination Conquest
3. Eradication Vortex
4. Coerce Axiom
5. Lynch Directive + Outro
Lineup for EP:
LB (Drums, Session)
Listen the entire EP on Bandcamp: http://ironboneheadproductions.bandcamp.com/album/nechbeyth-coerce-creed
Official Facebook of Nechbeyth:
Review by: Zoheb Mahmud
Hailing from the shores of Indian Ocean, a black metal quartet to bring the chaos into the orthodox traditions-Yes, I am pointing at Solar Deity; a Mumbai based atmospheric black metal band with potentials. Despite being a fairly new band, Solar Deity is doughty enough stir up in the scene with their strong and heavily dark music. Their capabilities are well illustrated with their last effort- “Devil Worship”.
“Devil Worship” is the third offering from the band, with three tracks tickling to duration of 25 minutes. For those incognizant to the band, Solar Deity plays black metal in vein of Setherial/Dark Funeral/Inquisition, with more focus on the atmosphere. This time the band sounds more matured especially by the vocals and strong composition. The EP starts with an ambience of thunder storm, remarking the howling madness of black metal through the track “Raise the Horns”. The repetitive guitar riffs with fast blastbeats often varied by single blasts and fills really set the mood for a good black metal. The channeling between Inquisition and Immortal-esque sound is prominent enough on this song. The journey makes a darker advent with “Supreme Evil”, which is completely different to the previous track. The slow, punishing, orthodox black metal guitars backed by heavy bass lines with screeching vocals create a ghastly atmosphere for the listener out there. The devilish manifestation is ascertained with the final 11 minute long epic “Through the Hallways of Narak”. Out of three, this one is the most memorable with top notch black metal elements. You can clearly hear the independent bass lines with chaotic guitar riffs and drums. More importantly, traditional Indian influence can be found on this track. As a unit, the EP sounds solid with the help from all the sections- frenzy vocals, repetitive classy black metal riffs, heavy audible bass and fine drum programming. The lyrics, in contrast with the music are a bit poor. The lyrics deal with Satan worshiping, which is typical yet don’t stand out. That’s the one negative remark to be noted. The production is stronger than their previous effort, but it doesn’t harm or lighten the atmosphere needed.
So to end with, “Devil Worship” stands higher than any previous efforts by Solar Deity. Recommended for black metal fans digging out Inquisition/Dark Funeral/Setherial like stuffs.
Must check: Through the Hallways of Narak.
||Raise the Horns
||Through the Hallways of Narak
Line Up for EP:
Aditya Mehta (Guitar, Vocals)
Animesh Das (Bass, Drum Programming)
Ashwin Shriyan (Guest Drum programming)
Solar Deity on Facebook: http://www.facebook.com/SolarDeityIndia
Check out “Devil Worship” on Bandcamp: http://solar-deity.bandcamp.com/album/devil-worship
Review by: Somber Oracle